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I've recently started painting headsculpts with Pastels. I start with an acrylic skin tone base coat and apply dry Pastel details. While I need more practice, and to adjust my colors a bit, I would appreciate some help on a couple of things.
1. When I seal the pastels with a clear dullcote, I lose the texture and detail. The dullcote also seems to make everything blend together three shades darker. If I don't seal it, the pastels rub off. What can I use to seal the pastels without ruining them?
2. This is a point of philsophy...when I painted 1/35 plastic kits with acrylics, I used a darker brown shade to make a white face look tan. I used a lighter skin tone mixture to make forehead and cheekbone highlights. For the headsculpt painting gurus out there, do you believe in highlighting high points on the face with light fleshtones? Or do you make them dark, but "rosier" as they would be in real life?
Thanks in advance for the help.
1. When I seal the pastels with a clear dullcote, I lose the texture and detail. The dullcote also seems to make everything blend together three shades darker. If I don't seal it, the pastels rub off. What can I use to seal the pastels without ruining them?
2. This is a point of philsophy...when I painted 1/35 plastic kits with acrylics, I used a darker brown shade to make a white face look tan. I used a lighter skin tone mixture to make forehead and cheekbone highlights. For the headsculpt painting gurus out there, do you believe in highlighting high points on the face with light fleshtones? Or do you make them dark, but "rosier" as they would be in real life?
Thanks in advance for the help.